I love Dan Curtis' movies, but the last two episodes do not speak well of his role as a producer on the show. One cameraman seemed to trip over a table with the camera shaking as a result, and I actually saw a second camera in the Collinwood living room (it was to shoot Carolyn at another angle) appear. Boom mikes drop right down in plain view, and equipment shadows have become so commonplace I consider them part of the furniture. The lighting of the sets was too bright, for one thing, so the shadows would become far more noticeable.
Burke interrupts what could have been a decent dinner between Maggie, her father, and Vicky, and he's sore, agenda-driven, and pointed in defending himself, while also demanding answers...answers Sam is willing to flee to protect. Sam's only link to Burke at all, besides Roger himself, is the letter he wrote to Maggie. He escapes out the back door while the others were in the living room and heads to Collins Port Inn where the letter is kept but the owner will not give it over to him. The letter is Maggie's and she will have to give permission before Sam can get his hands on it. Malloy's death looms large and will not go away--especially as long as Burke steamrolls throughout Collins Port, pissed off and unrestrained. He wants to know Sam's connection to the wrongful conviction and isn't about to just forget his presence at the meeting that night. Maggie just cannot believe that her father had anything at all to do with Malloy's death; Sam and Malloy were fr...
Comments
Post a Comment